Saturday, December 25, 2010

The Rum Base

Read my fiction titled 'The Rum Base' from the website of the literary magazine,  Orion Headless, by clicking here, or scroll down. Thanks!



There is this group of men, who are staring at me from the bar counter. But I relax; it’s good to get attention. I want to fight them – all three of them – but not here, in the middle of the shady Delhi bar. I want to take them to the park, near the musical fountain, more so now, when the music would be dead, the fountain lost for the day. There are trees there and they would be the witness. I am confident I can take them by my bare hands, all of them. I also have a pistol, and if required, a knife in my sock, and if things really go out of hand, my dad’s high position in the judiciary. A phone call and the cars would come screaming, screeching, like they were waiting for my dad to ask them. So you see I have come well prepared.

My fingers ache. I close my eyes and recall the karate lessons. I am ready, but have to learn to wait. I go over my plan once more: hurt, make them beg, and if required kill them. It is far too exciting. I ask for another peg of rum, just as they ask for their whiskeys.

I whisper: Bloody whiskey guys, sissies, slaves, you have your noses in the ass of the British and the Irish. I am certain they haven’t heard me, but one of them suddenly seems particularly agitated. I like him glaring at me. This is the opportunity, I know, so I wink, smile and move my lips: fuck you!

It’s fun to see his face twitch as he deals with the surprise. I don’t want him to consult his friends, and he doesn’t. So, I wink again. I see him jump to his feet and charge towards me. I laugh; the game is going just as I wanted. He is halfway when one of his drunken friends pulls him back. The two of them have a slight scuffle and I laugh when I hear his abuse. He is taken back, but he is now staring at me like I am someone who has ordered the world to come to an end. There is still time son, I whisper, as he glares.

It’s under a full moon that I follow them an hour later, drizzle adding to the mood as I pull up in front of their car. They hit my car but manage to stop. I jump out and hop straight into the park, jumping the wrought iron gates, ignoring as they abuse me in Hindi. Moments later I hear their footsteps; it feels nice for the predator to be chased by the prey. I stop when I know I am at the spot I want to be.

I hit the first of them with a punch and he goes back reeling. The second one gets me in the chest; it is a mighty powerful blow. I fear I might just go to sleep, so I shout and lunge at the third. Something doesn’t feel right. It takes me a second to realize that he has already hit me with the pistol which I see now. I take out mine. But it is late. I hear them laugh and I smile, unable to laugh. I should have stayed with my fighting just-with-two policy. The lesson is clear, but comes at the very end. Whiskey wins; the rum loses. I must return to the base camp now, my home that is, the rum base.

*

Saturday, December 11, 2010

Kulpreet Yadav interviewed by Sonora Review, the Literary journal of the University of Arizona

I was recently interviewed by Natasha Stagg, the Editor-at-Large, Sonora Review. Click here to read from the website or scroll all the way down. You also might find my short short fiction at SR titled, 'Can I kill you again Mr. Hitler?', interesting. That's just after the interview down here, or read from the website.

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Natasha Stagg: How long have you been writing?

Kulpreet Yadav: Eight years, in a serious way. Earlier I was just jotting random thoughts; and it could include anything of general interest. But now I am more planned, better focused and have developed an ability to take it forward where I left, much in the same tone. In short, I am able to sustain my thoughts, over a period of time.

NS: Do you write every day?

KY: Yes, on most days. I would reckon about eighty percent of days. The days I don’t write, I feel uncomfortable.

NS: What are your thoughts on “writing on writing?” Ever read the advice other authors give?

KY: I don’t know, frankly. It can work both ways: sure it is always a good thing to know what others think about your writing, but negative feedback can sometimes puncture the spirit of writing itself. To answer the second part, yes, I have read views of some people. In fact, I am at Zoetrope Virtual Studio, where fellow writers review other’s work.

NS: Do you have some advice to give?

KY: Just one thing: Writing allows you to reach areas and places you otherwise can’t. So, go ahead, write about your world, your ideas, your pains and pleasures. Reviewers may like the work, or may not, but it doesn’t matter. What matters is something that you thought worth sharing has been shared.

NS: Who is your favorite author of the moment, and what should we read by them?

KY: Anne Enright’s The Gathering, Rana Dasgupta’s Solo and Roald Dahl’s short stories. I am afraid I don’t have one favorite author.

NS: What is a book that kind of blew your mind, that we’d be surprised by?

KY: Tough one! As a kid, I was smitten by all the books written by Rene Brabazon Raymond. By the time I was eighteen, I had read almost all of his works. Indira Sinha’s The Death of Mr. Love and Upamanyu Chaterjee’s English August are two books I can say which really blew my mind.

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Can I kill you Again, Mr. Hitler?

It’s funny; weird actually. When I close my eyes, I am with Hitler. But when I open, he is gone. So, excited, nervous, I keep them closed.

‘Hello, Mr. Hitler!’

He is smoking, smiling, but face is signature withdrawn. ‘Who are you?’

I start thinking, but he is ready for more, ‘Are you British?’

‘No.’

‘Russian?’

‘No.’

‘American?’

‘No.’

He turns to consult his aide; there is none.

‘We had fallen off the map.’

‘New enemy?’

‘Can I kill you again, Mr. Hitler?’

He laughs. ‘But I am a loser, already dead.

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